By Christine Norvell
It was a classic when it was first published in 1949, but it remains a classic because it is one-of-a-kind. Marchette Chute’s Shakespeare of London absolutely is the best biography because of her approach.
Chute essentially crafted the story of Shakespeare’s life from a paper trail, from wherever she could find town records, lease arrangements, tax papers, theatre programs, personal letters, and really anything in print. She creates a holistic picture of the time period in Stratford-upon-Avon and in London while effectively showing the complexity of the London stage. Chute writes about how Shakespeare’s arrival in London was perfectly timed as the theatres themselves were just blossoming: “William Shakespeare brought great gifts to London, but the city was waiting with gifts of its own to offer him. The root of his genius was his own but it was London that supplied him with favoring weather.”
This is no encyclopedic list of chronologies but the real lives of Shakespeare, James Burbage, Edward Alleyn, and others who made up the Chamberlain’s Men. As readers, we learn of Shakespeare’s family, the myriad skills of successful actors, the competitive nature of playwrights and theatre companies, and the dictates and pleasures of theatre-lover Queen Elizabeth and her Master of Revels.
In fact, one of my favorite parts is that Shakespeare apparently was a man of integrity: “…he was a relaxed and happy man, almost incapable of taking offense. He did not participate in any of the literary feuds of the period, which . . . were particularly numerous in the Elizabethan age, with its delighted talent for invective.” He worked almost twenty years in London without friction or any major offense because he had a “natural good temper and instinctive courtesy.”
Perhaps the greatest praise I could give is that Chute is a delight to read. Yes, the sheer number of dates, names, and details could be overwhelming, yet the reader doesn’t feel it. With a fluid narrative, Chute has produced a fascinating wealth of research in a most readable form.
*Younger readers will also enjoy her Introduction to Shakespeare and Stories from Shakespeare.
Marchette Chute, Shakespeare of London (New York: E. P. Dutton, 1996).
Christine Norvell is an author, speaker, and longtime educator. She graduated from Faulkner University’s Great Books program with a Masters in Humanities and teaches high school literature and humanities at a classical Christian school. She is the author of Till We Have Faces: A Reading Companion (2017) and writes weekly at her website thylyre.com. This piece first appeared there and is re-published on The Classical Thistle by author’s own submission.